Author: tuesdaylatte

My mother went 75% as soon as she could, knees, arms, some vital organ upgrades and a black belt in karate all in one day at the salon…read more

I had the idea and then it floated away from me. Like it wasn’t here at all. Why does this happen? How does this happen?

The idea has simply slipped out of my head and I cannot get it back. This is what it’s like when you’re human. I sometimes wished I wasn’t. I should at least have a back up file installed-that makes you slightly less human. Why do I cling to the 100% idea? A little bit of extra memory here, some back up there, it becomes a slippery slope and before you know it your knees aren’t yours anymore.

That’s the thing, I should get me knees done. Its just -I like being fully human, I like being 100%. It’s weird I know. Who is 100% these days, why would you be? Think of the diseases I don’t have yet but could avoid. Of course, the ingestion of too much plastic will probably be the end of me if I don’t do some kind of restructure soon.

It is a slippery slope. I know it is. My friend Tessa, she was 100% until well into her 20s and then she hit 30 and now she’s only 40%. Forty per cent! She looks great but she’s hardly the bubbly person we all knew. She decided to get her emotions ‘toned down’, some sort of rational upgrade and now it’s just work, work, work all the time and sure she’s making money and the social media pics are great but she doesn’t enjoy it. Well its not that she doesn’t enjoy it, she doesn’t hate it either. She has no emotion attached to it whatsoever. Nice legs though, that’s what 40% does to you.

Nonetheless I am sitting here at a machine trying to write something and I can’t remember what that idea was. It was only half good anyway. Maybe just a small install, so I could play back memories on my computer. No it’s my knees, my knees!  I know I should get mechanical knees. I could get the ones that move your legs for you-they have a series of settings under the skin at the back and they can pace your running-just via your knees, it’s very clever, It monitors your heart rate and everything, it even sends positive messages to your brain as your running. It can play music too, well sort of, you hear it in your head as if it was playing. I have heard however that its playlist is very limited but I like the idea of just hearing the music in your head. It even has a karaoke setting that uses your actual voice based on hearing you speak. Its clever, but new knees and hi-tech ones at that, would take me down to about –well probably 96%. And then there’s the memory upgrade and that in itself- if you get enough can take you down to 85%. It might be worth it though, I mean you can’t post your whole life on social media. And it makes thinks like credit checks and job interviews easier as they can just download data.

Still I am reluctant. There are instances where people have dipped below say 65% and then the whole thing hasn’t worked and the software hasn’t interacted, interfaced, inter-whatever and it’s all gone terribly wrong. They then have to have the full upgrade or downgrade, depending on your point of view. -really the whole numbers thing is very confusing. When the full upgrade/downgrade happens, those people end up below 10% human. They are technically dead and they have to give up their name and they just become a number. All their photos and data is deleted as well and they technically stop existing for social media purposes. It’s awful.  Anything below 65% is more risky which is why Tessa at 40% is weird but brave. She is no longer in a position where she can make further decisions about her software. She needs specialist assistance to do it so that everyone is sure that it’s safe. She has no feelings about that either. It’s all very expensive.

I like the idea of my whole life, every second being preserved in a data chip but then I think, does anyone need to know how often I go to the toilet. Can it actually be done? Can everything I feel actually be recorded, everything I think? Can I lie to it? Can I get it to record something that I don’t feel?  Does it see what I see out of the corner of my eye or just what I see? I don’t know. Still I would like the knees.

I could get something really banal installed, like the ability to play piano, or to speak French. I am not at all sure where my reluctance comes from. My mother went 75% as soon as she could, knees, arms, some vital organ upgrades and a black belt in karate all in one day at the salon. She had all the memories of our childhood put onto a chip and gave it to us for Christmas. It was touching in a digital way. My sister then had those memories implanted in her head for safe keeping. My data chip from my Mum sits in a box by my bed. My mother doesn’t understand it. My sister sort of understands. She says I should join a support group. She worries there is something wrong with me. I want to tell her that 100% is normal. We are all born 100%. She says not anymore, 100% is optional even at birth.

I don’t know. I look at my knees. I love my knees. Sure they don’t work very well and they don’t put music in my head but their mine and I have had them for awhile. I’m not sure. I don’t know what to do.

 

Aren’t they a little pale-I mean that is meant to be a Gauguin isn’t it, his Tahitian period?’

‘It is- well spotted.’

She doesn’t even try and hide her enthusiasm. I am trying to hide my disdain.

She goes on, ‘You see Ma,’

I hate that word and I don’t want to see but still she goes on. I think I would like my eyes gauged out but I try not to show it.

‘How this works is-they kind of look at the internet and do a sort of ‘sample’ and then they modernise the picture, and the internet is slightly-well some would say very-but anyway-its pale. Pale. Pale. Pale, so they’ve modernised Gauguin.’

At this point I can only nod. I only just managed to overlook the slimming down of the Renoir -I think it was meant to be The Large Bathers. But they were slimmed down into some kind of gym body, complete with Red bull can and bright towels.

The woman beside me, my daughter, had a no expenses spared education and I confess I am totally frustrated that this is how she spends her time-bastardising perfectly fine art.

The idea is that, with AI, robots can now make art. And what’s more they can improve some of the botch jobs our previous ‘masters’ have created. This ‘art’ show is her first. She is immensely proud. I am embarrassed. Its mostly art from about 1850 onwards, apparently everybody in pictures before then was so fat she can’t bear to look at it and neither can anyone else-apparently the whole internet no longer has any pre 1850 art. This seems improbable at first but then knowing my daughters generation-still possible. Apparently the other issue with a lot of pre 1850 art is-and here I include women and men -crime of the century-some of them are unshaved. The internet has apparently shaved all post 1850 pictures-what a relief. I can barely contain my excitement.

Tonight is opening night but I am here early as –well-she doesn’t want my disappointment to ruin the evening. This is a child I dragged to every art gallery I could find. A child who still after all that wanted to be an engineer. A child who now claims to have combined her two great loves, coding and art.

On my way in there is a replica of the statue of David-you know the one- the naked one –only the one created by the robot-lets just say its larger in some ways. Apparently the robot involved surveyed a lot of pictures on the internet and deduced an average size based on that-only that is unlikely to give you an average size. I didn’t know what to say. It was bigger than I even thought anatomically possible but what do I know. I don’t do virtual sex, just the real thing much to her horror.

She can’t wait to show me the Van Gogh-one of his self portraits. I am gobsmacked when I see it.

‘It’s a watercolour.’ is all I manage to stammer out. Van Gogh did do water colours, I know but not quite like the one I am looking at.

‘Yes’ she says.  ‘Van Gogh is so emotive, all those weird brush strokes, going every which way. It’s all a bit scruffy. He lacked focus.’

There’s the ‘f’ word again-focus, how many times has she told me I lack focus.

She goes on, ‘ I mean Van Gogh, he had an energy but he didn’t focus it properly. In watercolour Van Gogh is more soothing, more serene. This picture now has a yogic calm to it. You could do pilates with this on the wall and isn’t that part of the point of art. To add to your inner life, so you really feel that protein shake.’

I want to shove a protein shake down her neck. She is truly nauseating and she’s mine.

I am standing there thinking, seriously, how much money did I waste educating her. She thinks Van Gogh needs calming so it can have a yogic influence. So we can all do pilates in front of it. I want to shove some sunflowers up her nose at the thought of it.

We move on to the Seurat-where again I am lost for words. She looks at me. I can tell she knows I am not getting it.

I manage to say only one sentence, ‘You’ve joined the dots?’

She smiles, like an idiot I think. My daughter is an idiot.

‘Yes the robot joined the dots. Its logical when you see it isn’t it-I mean you would join the dots wouldn’t you.’

Would you? I want to scream, no-you have missed the point.

We move on swiftly, past a rendition of Munch’s ‘The Scream’, which is redone in pastels and called the Smile. I won’t describe it. Past Hokiusai’s The Wave, described more fittingly now as ‘The Ebbing Shore’

This is the first art show of its kind. This is the future I am told.

In the corner I see a a tin of Campbell soup. Even Warhol isn’t safe. She is still talking, babbling. I am blotting her out as I walk towards them, trying to show interest instead of horror.

‘We used a 3d printer.’ she says

Next to them is a well made and tidy bed that screams healthy living.

‘Tracey Emin,’ I say.

‘Yes’ she says, but healthier than that-I mean all those cigarettes and empty bottles-no one lives like that anymore.

‘I do’, I want to scream. But I don’t actually smoke or drink much but if I did I’d make sure I left a right mess behind. Because I don’t do those things she probably doesn’t which might be the only thing I got right. Although somehow when I look around at this ‘art’ show I feel a deep sense of responsibility. Perhaps a bit of hard living on my part would have seen this never happen. I sigh. And realise it was too loud. I cover my mouth and yawn and comment on how late its getting. I can’t wait to leave.

There’s  the Giacometti sculpture which is stick thin-even thinner than they actually often are-because on the internet everyone is thinner than they actually are-even I am.

There’s a rendition of Dali’s Persistence of Memory where the clocks are all perfectly formed and fixed and there is a dolphin in the water in the background like a picture you’d find in a shop that sold scented candles and mood music.

She is still talking, walking me through how logic and order has improved human art beyond measure.

I don’ even know what to say. I yawn again and feign interest. She tells me next they are going to tackle literature. Maybe Dickens first-one of the shorter ones- perhaps A Tale of Two Cities, modernising it, making it suitable for a wider audience, maybe making it about two rival digital start-ups. I don’t think she has read it.

‘Plus’ she says, ‘Shakespeare-wouldn’t Hamlet work just as well if it was set in a gym, imagine the whole Ophelia thing in a spa or an indoor pool. Or perhaps Macbeth but based around a coffee shop franchise instead of a kingdom. These concepts, Ma, they are so old.’

I hate that word, ‘Ma’ but I nod. I smile. I think, I am so old. Thank goodness I saw the world before this. I am so old and so glad of it.

Her guests are starting to arrive and I know it is time for me to leave. I tell her I am proud of her but I think she knows I am not. There isn’t much I can do.

The point of art is not logic and order, but to remind us that there is life beyond those two things. I want to yell this out to the whole room. It is not meant merely to hang in your pilates class and decorate your coffee shop.

I wrap my coat around me and step out onto the street. She offers to ‘app me a ride’ home but I’d rather walk.

‘Its dangerous’ she says.

I laugh. Ah yes danger, are we the last to remember it and not to run from it. I wander home.

 

Picture this. The office of the producer, plush, swish, slightly overdone. He is the producer. She comes in. Plush, swish, slightly overdone, the reality TV star comes to see her ‘producer’. She is on the couch-it’s for casting apparently. He is swinging in his swivel chair, hands underneath the desk where no one can see. He has told her the bad news. She is taking it well.

‘Seriously!’, she screams, standing up. Then sitting down again.

‘Seriously, you’re replacing me!’

‘Calm down, calm down, its complicated. ‘ He tries to sound soothing.

‘Complicated, are you mad, it’s a bloody robot.’ She is overwrought.

He blurts it out- ‘Firstly, its not just you, its, its everybody’ He makes it sound as if this fact will make a difference.  It stuns her at first.

She is incredulous, ‘The whole show, the whole show is being axed?’

He looks perplexed. She has not quite understood. ‘No not the show, the cast of the show.’

‘They’re replacing the whole cast-With fucking robots’ she yells.

 ‘Well that is part of it, now that you mention it. We are able to show robots fucking in a way and at  a time when we are not allowed to show humans,’ he pauses, ‘fucking.’

‘The rest of them, for sure, but me, me.’

She is standing again, then sitting again, ‘You think I can be replaced with a fucking robot?’

He just nods.

She stands up-again. There is something almost mechanical in that standing up and sitting down but he doesn’t comment. She is livid. She sits down-again. ‘That is not what I meant.’ The comment is too late and he doesn’t quite remember what she is referring to. She is still very loud. The lipstick is too.

‘You need to calm down’ he tries soothing again. Really he didn’t think she’d take it this badly. Poor form on her part. Unprofessional. She thinks she’s an artist. She is at least 50% plastic he thinks. Really the new show is just an upgrade, a reboot. He can see she is seething, panicking, angry.

‘Calm down,’ he says again. 

‘Calm Down’ she is yelling again, ‘ you are replacing me with a bloody robot.’

‘Not exactly, that’s another advantage, robots don’t menstruate.’

She stares at him, even more incredulous. ‘Fuck’ she screams. ‘I can ‘not menstruate’ if that’s what you want.’

‘Fuck’ she yells even louder.

‘No’ he says calmly ‘I can –you know-get that from the bots without the hassle of you know-allegations or going public.’

‘It wasn’t a question’ she sounds less shrill, like it might be sinking in but then loud again, ‘Fuck – you are not listening to me. Do you know who I am? I am the biggest reality TV star of the age. I have 45 million, count them 45 million followers on everything, I am big on every social media platform you can name.’

‘That is true, that is very true, its just that well- The bots have –well they have more’. He tries not to sound smug.

She sees an opening, ‘Yes but there’s are just other bots. Just other bots, mine are all human, they  bots are just distorting their numbers by using their programming to get other bots to like them-to produce a bot to like them a million times over. You know what I mean, it is in the papers everywhere. That Pop-bot on channel 7, he has 11 billion followers and there aren’t even that many people on the planet.’

He shudders, he has read the scandal but he is the only person here over 40, so no one else has read the papers, ‘The papers-honey- the papers, they are kind of , they’re dead. No one reads the papers.’

He decides to try and convince her to take a long term view.

‘Look I know its difficult, you think 10 years ago I wasn’t having the same conversation with actors in soaps, when they were being replaced by reality TV stars. I was. Now its your turn.’

‘My turn, my turn. When the fucking hell is it gonna be your turn.’ She screams, stands up again.

‘Sit down.’

‘The whole cast?’ she murmurs now as if the finally understands.

‘An entire show of robots living real ‘robot’ lives. How interesting can that be?’

He looks down at the desk. He has wondered the same thing himself. ‘People said that about reality tv when it first started. Look what happened.’

‘Yes but I am fucking interesting.’ She seems to say this as if its obvious, but he can see the fight has gone out of her now.

‘You should really stop mentioning the fucking.’

She looks at him.

‘There are lots of reasons, cheaper.’  His voice trails away. ‘You just switch them off and put them away in the winter.’

‘Fuck cheap, you think this look isn’t cheap, I pay a lot of money to look this cheap.’

‘Don’t get me wrong, not that cheap, I mean these are high spec bots.’ She is getting emotional again.

‘No one will watch this.’

He looks at her –almost ruefully.

‘Well we think they will, just look at Belfast bots, highest rating show of the year.’

‘Nobody watched it, the bots involved hacked the ratings programme. Nobody watched it . You know that.’ He has heard the rumours but decides not to go there.

‘ Unfortunately there’s little evidence and well the advertising dollar goes where the ratings go. You know how it is Honey.’

‘Fuck, you are replacing me with a robot. Do not call me Honey. Do not ever call me Honey. I have 45 million human followers on instabook or whatever its called. I am a star. I am the star. ‘

‘It’s not personal. ‘

‘Not personal. I am being replaced by a robot. ‘

He tries to make her look forward. ‘Its ratings, it’s the business, you can tell people we had creative differences, you need to be free to pursue other outlets. Write a book.’

‘When was the last time anybody read a book. I cannot write a book, I can barely sign my name. A robot wrote my last book. Fuck, how did I let that happen.’

‘You know a robot will only swear in a show when I tell it to. I can have the word fuck removed from their vocabulary with the press of a button or something.’

‘You’re serious. The whole cast.’ She is murmuring again.

He nods. ‘The whole cast.’

‘The whole cast. No one will watch it, surely no one will watch it.’

He tries to be soothing but realistic. ‘As I said lets not forget Cyborgs of Sussex, Androids of Atlanta, all bots, all rating, the list goes on. Look, I called you in so we could chat face to face, because I value you, I think you’re a wonderful person and truth be told you have made me a lot of money but you’re time is up. Its time for someone else to have some spotlight, to work the spotlight and yet stand in it at the same time.’

 ‘What?’ She is suddenly confused.

‘We get the bots to program their own lighting and to work the cameras remotely, savings everywhere with these things.’

She looks incredulous. ‘You are crazy, no one is going to watch it. What are you even going to call it.’

‘ The Real Bots of Berkshire.’ She looks aghast as if finally its real. She thinks she might even have seen a trailer for it. Thinks she might have thought it looked ok.

He thinks he is on the verge of winning now, ‘I got you some literature. It might help.’

He hands her some brochures.

She looks them over, ‘pro-gram-ming.’

She is aghast. ‘Computer programming? ‘

‘New jobs, honey, new world.’

She sits, looks at him. Incredulous. Aghast. So this is how it ends. She gets up. Grabs her very expensive bag. Flings the brochures on the table. Leaves.