Green eyes and wildflowers

I have green eyes.

Children with green eyes,
always tell lies

That is what he said.
As he stood over her body.
I knew that she was dead.

Children with green eyes,

He put her in the ground.
Her body, frail and small.
I never made a sound.

Always tell lies.

There was nothing I could say.
When he came to touch me.
Another girl, a different day.

Children with green eyes,

I watched the wild flowers grow.
Never ever doubting.
I knew the things I know.

Always tell lies.

Year upon each endless year.
I watched the wild flowers bloom.
He seemed to have no fear.

Children with green eyes,

I watched over her grave.
And silently I waited
I told myself, be brave.

Always tell lies.

Then one day he came.
An emerald eyed policeman.
Who even knew my name.

Children with green eyes,

He had read the files.
He had seen the truth.
Travelled a hundred miles.

Always tell lies.

To dig a patch of ground.
To hear a child’s story.
To help me make a sound.

Children with green eyes,

I finally found the words to say.
His story was unchanged.
What it was I saw that day.

Always tell lies.

I heard the judge’s verdict,
You know what she said.

Children with green eyes,
Always tell lies.

But not about death.

Portrait of a town: After School

There’s a new child at school. She heard it on the grape vine. That can only mean trouble. There will be a parent, most likely a woman. That can’t be good.

She stands, there absorbed in the conversation, lightly touching an arm when required. Enthusiastic. Laughter. ‘We must do coffee.’ She says it knowing the listener will be honoured at such an invite.

She spots the child before she spots the parent. Seeing the parent is positively shocking. It always is. Nothing can prepare you. She takes in the clothes (autumnal colours), the hair (average colour), the total lack of makeup! On a Tuesday too. She watches the woman collect her child, look around her for a face that might smile, someone that might catch her attention.

This is the danger moment. She knows that. That point in which it can all unravel. It will be Charlotte’s fault. Charlotte likes strangers, she can easily be drawn into a conversation with that woman. And then bang! Things will change. She will seep into the friendship group. They won’t be this tight knit circle. She will have to admit someone new. Uh Uh.

She looks at the woman hoping it is her eye that is caught. Because she will give her daggers. These are my friends and you can’t have them, not a smile, not a word. They are mine and this is my world. And you are intruding and don’t think you can change anything because you can’t. She wants to pierce her heart. You can do that with newbies.

She can see that other frump magnet standing off to the left. The frump magnet has been here a whole 12 months and whilst her children have made friends she absolutely has made sure that frump magnet never has. She can taste that victory, see the forlorn look in that woman’s eyes everyday when she comes to pick up her child. It makes her smile inwardly. The outward smile is perfect. The inward more twisted. She does not let on.

This is her playground. She was always popular at school. The pretty girl with the swinging hair. And now she is popular in the playground and no saggy boobed badly dressed newbie is going to ruin it. The new woman was thin she had to admit that, and those breasts may have been real. But wait –her teeth, oh dear god, unwhitened teeth. There should be regulations. She hoped her child never made friends. Her child never did. She was loyal like that.

She made a note to look out for what kind of car she drove. She suspected, horrified- that it may not be a 4 wheel drive. There was no way this woman could ever join her friendship group. Ever. She watches Charlotte closely. Charlotte had invited the previous newbie child to her daughters party. She’d even engaged that frump magnet woman in conversation on the door step.

There had been nothing else for it, she’d had to stage an intervention. Made it look like the newbie child had deliberately spilled something on Charlotte’s carpet. The frump magnet and her daughter were never invited back. To any party. Ever. It had been a close call. The child had cried, said it was not her fault. She had to insist she had seen it deliberately done. The child had simply poured the red cordial onto the white carpet. When in fact she had to twist the child’s hand to pour it out.

It was a horror story. She had very nearly been caught by Amber. Amber was her best friend but she wasn’t always sure that Amber lied on her behalf in a way that indicated the commitment required from a best friend. Amber’s husband was not as attractive as her husband but Amber’s husband found her attractive. Wasn’t that the key to a best friend? She doubted that her husband found Amber attractive. Although she did note how they sometimes seemed to laugh together. She must talk to Amber about that. It was important Amber understood who was more attractive.

She swished her hair. Flashed her teeth. Glad she was wearing heels because that very tall thin woman with a daughter in the year above was here again. She hated her. They all hated her. Even more than the newbies, they all hated her. She was so nice as well. She always smiled and said hello. But there was unanimous agreement she could never be part of the group. Ever.

Her husband doesn’t understand. He thinks her obsession with women in the playground is childish. But his fashion sense has failed since they had children. He wears a lot of beige and brown. She isn’t sure how much longer she can be married to someone who wears brown. The whole house is white and charcoal, which is a problem because white and grey are this seasons colours.

Charlotte. She is watching Charlotte and the newbie just in case. Charlotte still has a beige bathroom, which is at least 5 years old. It might be time to find a way of getting Charlotte out of the group. Charlotte is a risk. She doesn’t follow trends. She hasn’t read the latest magazine and she suspects Charlotte might visit a unisex hairdresser.

She smiles, she talks. She simpers. She smirks. She thinks about strategy. She looks at Charlotte, is that camel she is wearing? So last season. And leopard print when snake is in?

She watches her own child run towards her and is struck by how much prettier her little girl is compared to everybody elses. Thank goodness, she can’t imagine what it would be like to have an ugly child.

Blood is red

I was stabbed when I was 13. I don’t really remember it. It was 10 years ago.

I see the posters up everywhere. A picture. A boy. Not much older than me. I don’t know what happened to him. I don’t remember. I don’t think it can have been me. He was so much bigger, not older just bigger. He went to my school.

He plunged a knife into my stomach. I remember that bit. The knife. His surprise as it hit something hard. Like I had a rock inside of me. It was inexplicable. He left the knife there. Twisted it. I was looking into his eyes. He looked down. At the knife. A frozen moment. I don’t remember anything else.

No one ever saw him again.

I look at the posters. I feel for his family, but I can’t help.

All I remember after that is lying on my bathroom floor with the knife still inside me. Blood pouring out of me. Its warmth and life seeping through my fingers as I desperately tried to hold my body together.

I remember pulling the knife out. Just pulling it out. I don’t remember pain. I remember my mother coming in, the look of concern on her face. I remember days in bed. Healing when I should have been at school.

After that we grew apart my mother and I. As if she knew something I didn’t. I moved out a few years ago. I haven’t seen her since. She never called the police. Nor did I. There was no ambulance. She literally bandaged me up, put me to bed and left me to heal.

I remember her looking at the knife, at me, at my blood soaked clothes and the floor. So strangely. I guess she had never seen anyone stabbed before.

There is still a scar. I know if I told the police perhaps his family would have some closure. Perhaps every year on the anniversary the posters would not appear. Perhaps they would find out what happened.

My mother burned the clothes, cleaned the floor.

I still have the knife though. An odd idea. I carefully wrapped it. I never cleaned it. I have read a lot of books since then. I take the knife out every anniversary. I carefully unwrap it and examine it. The blood is still there. The problem is every book I ever read said human blood was red.

The blood on the knife, my blood, was not red.

Portrait of a town: Her, she him.

 It will be like this forever now. He sees. She is on the train platform. She sees him on the platform. With her.

She stares straight ahead.

He is attentive to her.

Deciding where to stand is up to her, he knows that. Like so much now, it is all up to her. He pretends he is listening.

She does not see the pretence. She stares straight ahead as if she is not there.  

He mumbles agreement to her. This is the right place to stand. This is the spot. This is where they should stand. She is standing somewhere else. But not too far away. Maybe not far enough away he thinks.

Her. Flicks some unseen thing from her coat. Her beautiful expensive coat.  Snuggles herself into it, wraps herself in it. Wonders why he has not noticed? Now would be the perfect moment to drape his arm around her.

She can see her, just about.  She knows that she is the other woman. In a maroon coat, might as well be scarlet red she thinks. Her in camel, is anyone wearing camel this season?

She stares straight ahead, hoping the train will come around the bend before she cries.

They both have the same short blond hair. She didn’t know that. Although perhaps one of them is more recent than the other. She tries not to think about her. Her is messing with her coat again. She tries more valiantly not to think of him. Of hands, hair, of bodies intertwined in darkness.

He is attentive, listening, but he is also comparing their legs. She has thinner legs. He wonders if he made the right decision. He looks at the expensive watch on his hand. Of course it was the right decision, splitting the assets would have been financially disastrous. He tries to look interested in her conversation but he isn’t sure.

He still isn’t sure.

Her conversation is just noise in the background. What would she say, he wonders in the pale morning light.  He is trying hard to focus on her, on the words coming out of her mouth. There is something else on her coat now. He wants the train to come.

What is on her coat? Feigning a dirty coat, for attention, why doesn’t he notice. Is he listening? Every fibre of her body is willing the train to come. He is leaning in, but he is not focussed on her. Did she just turn her head? Is that what happened. There is an explosion in her head. Where is that train?

 He has to lean in because he must not be able to see where she is standing from here. This is a train station. Everyone must retain some semblance of dignity.

The wedding ring is hers. That is what counts. Her coat is better.  But that woman’s legs?

Dear god, where is the train.

Portrait from a town

On weekends he witnesses car accidents. A picture in words. What does he look like in person? Does he live in your town?

On weekends he witnesses car accidents. On Saturdays he drives to the supermarket car park. He sits and waits. Sees it. Then tells the at fault driver he is innocent. Hands over his details. He has been a witness in 47 accidents in 3 years. Each time he has told untruths. Each time he has said the wrong person is at fault. He wonders if any insurance company will ever figure it out. He does his shopping on Tuesdays. There are never any accidents on Tuesdays.

He particularly likes Christmas, there are more accidents at Christmas.

Every evening, he comes home from work. He gets out of the car. He could walk across the grass to the front door. He could. But he doesn’t. Instead he walks down the short drive and out the gate and around on the pavement and in the front gate, up the front path and goes inside the front door. He likes the feel of concrete under his feet. Concrete is firm and resolute. It makes him feel in control.

He is not in control of the grass.

He works. He has done the same thing for ten years. He has done it so often he does not know what it is. He isn’t certain anyone knows what it is. He likes tuna sandwiches. He watches western movies. He wants to ride out across the open plains. He cannot ride a horse. Instead he secretly longs for cowboy boots with tassels and patterns stamped into the leather. But this is England. They would stand out. He does not want to stand out.

He has pictures of cowboy boots on his phone.

He is secretly in love. With a woman on the train who he has never even made eye contact with. She reads books instead of looking at her phone. That is odd. She wears clothes that don’t quite match. They could be odd together if he could just speak to her. He cannot speak to her. Maybe she is mute anyway. He waits for the day her wedding ring is missing. One day the wedding ring is missing. He almost takes the opportunity to sit in the same carriage as her. He could sit behind her looking at her calf. He thinks about her calf. A week later the ring is back.

He does not sit in the same carriage as her.

He watches pornography. He does not watch pornography. He has it on as he reads the paper. It is not the same thing. He was married once. He has a vague memory of it. There are pictures. Of him smiling at the wedding Maybe in the spare room there are still pictures. It was a long time ago. The dog has been missing. For years. Perhaps it is in the spare room too. This weekend he will wash the car. Last weekend he washed the car. He has cleaned the outside of the car every weekend since he bought it.

He has never cleaned the inside of the car.

Inside the house is the furniture, it has been there a long time. The TV, the couch, the bed. There is not much else. He should go out drinking with mates more often. Take up a hobby. Leave the house more. Perhaps he will get another dog. He looks at the beer stashed in the corner. He should take in a boarder. Except in all those movies, boarders are serial killers. If he wants to survive he should not take in a boarder.

He wants to survive, there is no safe boarder.

He takes a beer from the stash in the corner. He switches on the TV. He thinks of how he needs to make a change. He will make a change.

Tomorrow he will walk across the grass.

Stories in two sentences

1: The car hit the wall and I heard them say, ‘She’s dead.’ Now I can only smell wood and dirt, but that can’t be right, because the wall was made of bricks.

2: I want to reclaim my heritage, be the girl who tamed the wyvern. As its teeth sank into my neck, I could briefly smell its breath, feel its tongue on mine as I realised the story was a myth.

3: I came home late one night and someone had swapped all my furniture. I woke up the next morning and my husband wasn’t the man I thought he was, I stayed anyway.

It’s about the blanket

I am distracted by the idea of ghouls in the bath, of serpentine creatures seeping up through the plug hole and devouring my children. I need help. I can’t sleep. It’s ridiculous I know. I’ts about the blanket. I know how silly that sounds. It’s a throw, not a blanket, what is the difference-where you put it? IDK.  It’s all the same.

He has been ill so I have slept on the couch, whole nights under its soft, warm comfort. But sometimes I wake in the night and it’s like there is someone lying next to me. An arm thrown over me, a leg along side mine. I don’t move. Horrified, there is someone there. But when I finally do move, there is only me and the blanket and the couch.  And then I can’t sleep.

I look at it during the day, examine it. It is just a blanket, there is nothing special.

I nestle under it each evening to watch the television. But some nights it just feels more ‘aware’.  One night I spilled something on it and I swear it jumped sideways. Or did I throw it?  It’s the way it slips off me or doesn’t slip off me when it should. I can’t explain it.

When I lie in bed at night, I picture it stretching itself out on my couch. The thing is, it never seems to be in quite the position I left it. I get up in the night and try to catch it out. I folded it neatly one night, and got up at 3am to see if it had moved. It hadn’t. Well at least not in a big way. It had sorted of slipped as if it had just folded itself back into position. I know it can’t be the case. Its not real.

I am getting paranoid, I think the blanket is real, I think there are sea serpents down the plug hole, the kitchen is going to be covered in mould every morning when I wake up. I need more sleep.

And tonight I am tired and I need to go to bed. I brush my teeth, put the children to bed. I am so tired.

I take one last look out through the door that leads into the lounge, into the darkness. And there on the couch is the blanket. I daren’t switch the light on. It is there in the darkness sitting on my couch. It is sitting there as if it is a person. It is somehow draped over the cushion and it looks like it has a head. Like a shrouded body. I need more sleep.

I go to bed. I can’t get it off my mind. I can’t sleep. I get up again and peek through the door. It is still sitting there.

I go back to bed.

No I can’t sleep. Just knowing it is sitting there. I know it’s not real. It’s a blanket, it’s a throw, it is some kind of blanket throw combination which doesn’t matter.

I am bewildered, tired. I can’t sleep just knowing it is sitting there, human like, with form and shape.

 I get up, go out into the lounge. I don’t switch on the light. Why don’t I switch on the light? I make my way through the murky darkness. I reach out my hand to smooth it down in the darkness and as I do…

It turns to face me.

Him and her and me

It’s addictive. I sit watching it with my pig.

The evidence is circumstantial. There is no body.

I remember him, the smell of him. Now he looks gaunt.

There were three of us, that day, a long time ago. I really should find the photograph. Her and him and me.

He seemed so nice. She was full of life. I wasn’t. Now they say her life is gone. Gone that day. Unproven though. Like bread gone wrong.

The sex was great. Mind blowing. Afterwards he didn’t call. Either of us. I thought he would call. I drifted, just wandered away.

I should find that photograph. I could help.

Every day I watch. Drawn in. The pig is going to starve at this rate. He is the man I remember. Somewhere in the outsized suit.

Lazy days in the sun.

Bikinis and beach balls-like a coke ad. Afterwards he never called.

I watch the trial. He recounts it. All of it. The whole day. The days before. There is a photograph. Its not quite how I remember it. Someone is missing.

I must find my photograph. I remember the three of us. Him and her and me. He didn’t call.

Then before you know it, it’s over. Guilty. He killed her. Me. The evidence is circumstantial. I might never watch TV again.

A life sentence. I should call. I could help. Days, weeks, months, he is in prison.  

Then I find the photograph. It is not how I remembered.

The picture is just him. Him and me. I wandered away, never went back. Circumstantial. No body. I remember now. What the doctor said. She was just a voice in my head.

I should call. I could call. I didn’t call. I fed the pig.