Ten green bottles: Sating the beer gods

A man walks into a bar

There are ten green bottles on the wall
Hanging on the wall
As if the beer gods got angry.
He looks at them
Glad he is neither green nor a bottle
He gets a drink, sits down.
As he slides into his chair

One of the bottles falls off the wall
Smashes on the floor
No one notices.

He looks over
There is a man with pastry on his face,
smoking an old fashioned pipe.
He seems obsessed with what is on the screen
It is children in some town
He can’t make out the name.
H-something

Another bottle falls,
smashes on the floor
No one notices.

There is a woman roaming the bar
Selling bells and cockleshells
She says she grew them herself.
There’s also a rumour she sells maids
You can buy three in a row
She’s a pimp

Another bottle falls,
No one notices.

There is a distraught woman
Handing out posters for her lost sheep
No one has seen it
Although someone thinks they might have eaten it
Didn’t her mother serve lamb at Christmas?
No one will meet her gaze

Another bottle falls

There is a couple in the corner
She is battered and bruised
He is in a wheel chair and paralysed
He just keeps saying her name,
Jill, it was an accident
She inches further away every time.
She is going to leave him

Another bottle falls

The barman has bare feet
They are cut to pieces
From walking on the broken glass
When he walks out from behind the bar
He leaves bloody footprints on the floor

There is a man counting the bottles
As they fall
He is the statistician
Even gods have auditors these days
He is here to count,
He is here for the process
He is not concerned with health and safety

A woman comes in wearing hefty shoes
She sends the bleeding bar man out
And takes the bar over herself

Two bottles fall in quick succession
That’s not supposed to happen
Not even enough time to register
Although the statistician makes a grand gesture
A stroke of pen
As if to say,
I counted them both.

The man sips his drink
Outside a spider climbs up the wall
Falls, climbs again
Is eventually drowned in the rain
As a reward for his perseverance.
He is the last spider ever

Another bottle falls

There’s a shattered man with an egg shaped head in the corner
Soldiers fuss over him
But it is clear he is dead
They are fussing over a corpse
Trying to hold his brains in
where his head is clearly broken
They squabble as an eyeball rolls down his cheek

Another bottle falls

There’s a short plump woman
She is dressed like a teapot
She is on the cover of Vogue
Diversity in fashion
Another woman sits in the corner
She is plaiting the tails of three mice.
Their dead eyeless bodies in front of her.
A little trail of blood oozing out of each one
where the tail was severed.
She is smiling, its her hobby

Nursery tales are misogyny except

There’s a man,
A full grown man
Curled up in the corner
Enjoying the sensation
Of fingering a pie
Is that a plum or a cherry
Everyone looks away
At his trousers splayed open

The man who came into the bar sips his drink
Scratches his head
Wipes the dust from his shoulder
Puts his hands on his knees
And taps his feet together
As if he wants to go home

He does that all again

Head, shoulders, knees, toes,

And as he drains his glass, again

Head, shoulders, knees and toes

And then another bottle falls

There are no more bottles on the wall

The beer gods are sated

The man gets up and goes home.

A moment with the darkness

I look at the body. Everybody always said he was so full of life. Bubble. Pep. Verve. No one can believe he is dead. No one ever said I was full of life. I have always assumed that meant the flipside.

That I was full of death.

Perhaps in looking at him lying there dead, I am looking in a mirror. Is this how I look to the world? I get that these are thoughts I should not be thinking at a funeral. No one seems to have noticed I am here. You looked right through me. Its as if I am walking among the dead all the time. In your defence I want to be overcome with grief .  

But I am not.

I want to sob loudly and profusely. To let it all out. To do the occasion justice. But it is not my way. I have shed a tear. Just the one. A restrained one. Yet I tell myself a meaningful one.

I am stricken, in my own way.

If he sucked the juice out of life in his 28 years, I have sipped slowly in the corner in the dark. Where no one saw. I am not bothered. Everyone is wearing black.

Except for me.

I have chosen deep purple. Odd because I always wear black. I needed some way of differentiating. It is the most colourful I have been in awhile and I doubt my mother approves.

My mother never approves. Approved.

The word approved comes out in my head. Quiet tears streak my mothers face in an endless stream. They are all for him. I know what they think, what they are all thinking. Why take him? Why the beautiful golden child? I don’t pay attention to the end of their sentences. I want to scream -perhaps he got bored with your adoration? 

Your endless adoration.  

Perhaps he liked me most because I thought he was at best ordinary and at worst pathetic. Perhaps that is why I was there when it happened and you weren’t. You were somewhere else. Even now I think you are looking right through me.  

Instead of at me.

It is true he would have brightened this room in a way I never will. I walk with the darkness like a cloak. He walked in the light like the sun. It occurs to me that in that moment, the one does not exist without the other. The light without the dark.  

And then I realise the truth.

I look around me again. My mother hated me wearing black. Today of all days she dressed me in purple. I see again the stream of tears streaking down her face. Just for him? And you looked right through me. You didn’t see me. And now I hear all the words. I finally listen to the end of the sentences. Why take the beautiful golden child-too.

Two.

Two caskets. Two bodies. He was full of life, light. He has dimmed and died. I am full of death as always. Unchanged. I stand here. Unseen. Only I see now.

In some worlds the light does not need the dark.

Death changed him. It did not change me. I am gone to my corner to sip at my straw for eternity. As always, no one notices.

Crush: A romantic tale

She sees him
He sees her
Eyes meet
Across
A crowded room

Crush

She’s too shy to speak
He can’t find the words
He sees another girl
Gutted
She is gutted

Crushed

It’s years later
In a cafe
They meet again
Hackney
Over a coffee

Crush

He works in a bank
She won’t be interested
He gives her his number
Anyways
She doesn’t call

Crushed

She leaves the dimwit she’s with
Picks up the phone
Puts it down, calls him
Eventually
Together now, at last

Crush

Married, kidded, bored
She wonders what she ever saw
Chicks, clowns and housework
Drudgery
Endless bloody drudgery

Crushed

In a supermarket
A stranger, a possibility
She hands out her number
Unexpectedly
At her age

Crush

There’s just a note
About the cat
Nothing else
Silence
No explanation, she is gone

Crushed

Their daughters wedding
Years later
That old feeling, there
Still
They are together again

Crush

Driving home together
They take the bend
Too fast, too late,
Truck
In the way, head on

Crushed.

The great unwritten novel

They have just released a list of the best books of the century.

My book is not on it. In their defence my book is neither written nor published.

Still I feel a pang of disappointment at an opportunity missed.

We are only twenty years into the century so there is still time.

And being honest I think their list is a little premature.

Although perhaps after this point we are stopping books.

They have heard that on twitter and I have not.

Because I was not on twitter that day or didn’t follow the right literary society.

Perhaps I should be running out and stock piling books right now because not only are there no more to be written there are no more to be printed. It might be about the trees.

It might not, maybe there’s just a government decree.

I look around at all the books I own.

Will this be enough? I look at my unread pile.

It will be enough.

It will certainly be enough.

What is going to happen to all the authors?

Some will be ok, some have made enough to survive but what about ones like me who haven’t churned out their great novel yet?

Or maybe they are going to rationalise?

Perhaps everybody is allowed one novel apiece and this was simply the last list where it was a free for all. Perhaps right now they are allotting single novel slots and I am missing out. I need to follow twitter more closely.

I sit looking at the list of great novels. I am unsure what to do. Unsure who to call or where to turn. What is going on out there? How can I find out? This was the very morning I was going to start my great novel. And now I have no idea what to do.

This might be the end of my writing career. The one I haven’t started yet. I need coffee. I look nervously at my phone. No notifications. Silence. That is probably because my notifications are switched off. Should I switch my notifications on? How do you even do that? I look at the computer screen. I bring up a new word document. There is no way you can make that phrase sexy or interesting. That isn’t just me, its just not possible.

I stare at the screen.

At the blank page.

Mild panic. I don’t know what to do.

I am only certain of one thing.

Today is not the day to start my novel.

I go downstairs and have that coffee, congratulating myself I have not wasted time on writing anything.

What colour are the tears you cry?

What colour are the tears you cry?

Are they rainbow tears
for the people you accepted
Or flecked with dark
for the people you rejected

Do they stain your cheeks
with tracks of blood
Are there dark streaks
Like tracks of mud

Do you even feel it
Do you wince in pain
As I hear you shout
Your hate again

And then one day I see you cry
And the water comes out plain
They don’t hold your memory
You cry the tears of rain

If you’ve never spoken the truth,
you don’t know when you lie
If you never feel the sadness,
you can never really cry

Consequences have actions,
actions never sleep
The run right through your veins
Staying buried deep

You know that death will come for you
Even if you don’t know when
What colour are the tears you cry
What if you live again?

Bent Forward, Nearly Double

Bent forward, nearly double
Her eyes on the ground
As she pushes the trolley along
The pity aimed at her

Is almost palpable

But she doesn’t notice it
She smiles into a pond
None of us can see
It is spread out before her

As she walks

What a life
The things she knows
Things like
You don’t need beauty to get laid

All that over done machismo

About how you should look
All of it ignored
What counts is how you feel
Inside

Moments she has known

The moment that he realised
he didn’t know her anymore
She saw it in his eyes
That self possessed woman

Who was no longer possessed

Raw, primal sex in a park
When she was young and
they were hidden in the dark
Faceless, nameless carnal

Primal

Cigarettes in theatres
Ice creams in the sun
Feet in mile after mile of sand
The joy of a first flight

When flying was new and rare

The first time held in by a seatbelt
Instead of lolling in the back
The first time fingers tapped a keyboard
On a computer with a screen

Swiped a phone

She smiles into the pavement
Their pity is palpable, touchable
But she knows better
Her knowledge is endless

They think the world is moving so fast

But truthfully it spins more slowly than ever
What has it done in her lifetime
Flight, motorways,
Computers, colour television

Phones. And oh, oh the clothes.

Bent over, nearly double,
Brown skirt, brown jacket
Secrets hidden in shades of beige
And gilded, patterned, darned with age

Ah the life she has led,
She smiles into the pond
Hopes their lives are as bright as hers
As she pushes the trolley on.

The Last Carriage

We of the last carriage
Every jerk, slide, push or pull
We, in the last carriage
We get to feel it all

We dawdle down the platform
Frowned on by the guard
Last through the barriers
Searching for our card

Warriors of the feel good
Into work a little late
Stopped for a coffee
Chatted to a mate

We slide into our chair
Around about ten past nine
You should be glad for us to be here
Because we’re not all the time

We probably spent ten minutes
Tizzing up our hair
We look at the computer
As if there’s something there

Then we chip a nail
And leg it for the loos
We probably come back again
Around about ten past two

And then its nearly time to go
Yeh, officially its five
But ten to four is close enough
Work less and stay alive

We have no regard
for your silly stupid rules
The ones that chain you to the desk
They make you look a fool

We had a ticket for the train
At least we did last week
It’s a season ticket
Oh it might have been, I think

There’s a reason we haven’t got it
How it came to be lost
Yeh for the price of the fine
Not bothered by the cost

Here in the end carriage
It’s like a second home
Everyone is someone
And no one is alone

Sometimes its like the train
Is going to jump its tracks
But we all just chill
We just stay relaxed

We look on with scorn
At those early carriage prats
At the man with the fold up scooter
But really –in solid black

An act of half rebellion
can’t make you woke
We in the last carriage
share another joke

The conductors never make it
Last carriage, their place of fear
You should think about joining us
We’d love to have you here

The second song

I could listen to the album
The whole day long
There’s just one problem
I don’t like the second song

Its meant to be soulful and slow
But it doesn’t matter what I do
I just don’t like it
I don’t like the tune

I’ve listened to it often
Again and again
But I don’t know what its doing there
It doesn’t quite fit in

I feel I should write, tweet or comment
But I don’t know what to say
I just want the second song
To go the hell away

But something compels me
To listen every time
Just in case I’ve missed something
That might make it right

He seems to slur the words
I’m not sure what he says
I don’t like the second song
But I like all the rest

I know I should just skip it
I know I simply can
But why did he put it there?
What a stupid man!

It ruins the whole album
It ruins my whole day
I don’t like the second song
And yet, I let it play

It’s time to change jobs

As I lie in bed, I feel my body.
Literally I touch it.
And feel it.

Atrophy.
Petrify.
Modify.

Tree.

I have been in this job too long.
I creep out of bed in the morning, a mess of vines
Veins fading into woodwork.

I stumble to the train
Out of the station to my desk
And then I stupefy.

Horrify.
Edify.
Terrify.

Tree.

I morph into something bigger. A large trunk, some branches. I cover my whole desk. I root myself in the floor. Clasping the carpet with delicate filaments searching for the moisture left by sweaty feet.  Leaves. The computer gets absorbed in. Seen and then unseen. As if nature is claiming me back from all this technology. The lights flicker on the screen inside of me. Flicker again. Flicker out.

I thirst. In the bright sunshine. Through the glass in the window. I thirst. I am a tree. I wait for the water. I never knew how thirsty a tree could be. Not hunger, just thirst. I see people work around me. I grow outward and upward and no one knows what to do. I hear them talking, feel the voices vibrate in my leaves.

And then, then it rains.
I see it splash on the window.
Sweet delicious water. I grow.

Up.
Up.
Up.

Through the ceiling.
Heavier and heavier on that floor.
I drink my fill.

I teeter.
I totter.
Teeter, totter.

And then I crash downward with the weight of it all. I work on the seventh floor. Down I plummet through six floors of masonry. False floor after false ceiling after false floor in a false world. I fall down, down, down and the building crashes around me. I can hear the vibration of people screaming in the rain.

I teeter.
I totter .
I let myself fall sideways.

Onto the pavement.
All over the road.
Then I feel myself again.

Literally, I touch my arms, my legs.
I am no longer a tree.
I sit on the pavement.

I am wearing yellow.
It is sunshine again.
I look around me.

Chaos.
Destruction.
Devastation.

I get up and walk away.
I guess I really needed that.

The Scent of Nadia

He slides into bed beside her
She feigns asleep
She wonders what he is thinking
He’s brushed his teeth.
The minty smell of toothpaste
Does he think that is enough
She inhales, exhales, inhales
There it is.
A waft, a wave, that smell

The scent of Nadia

He lies there.
He wonders if she is actually asleep
She must be asleep
If she were awake
She would smell it
The vision of bodies tangled in the night
Hovers above him
He inhales, exhales, inhales
There it is.
Holding tight to his skin

The scent of Nadia

Nadia sleeps alone
Solid, physical, in a bed far away
Dreamless sleep
The room has no smell that she can sense
She sometimes feels the loneliness
Of his dishonesty
In the morning she gets up
Her head clear
She inhales, exhales, inhales
Moves the bottles around in the bathroom
Cleanser, moisturiser, perfume

The scent of Nadia

They eat breakfast at the same time
At the same table
Each one is alone
Each one showered, shaved, perfumed,
Ready to go out into the world
As they eat, he wonders
Is that a whiff of suspicion
Does she smell a rat?

She does not smell rats
She stares purposefully into her cereal
If cereal has a purpose it is to make breakfast longer
It needs more milk
She quite likes the perfume
Wonders if Nadia likes women,
Inhales, imagines, exhales, swallows, inhales to hide it
Tries to place the smell, Its quite floral, Daisy?

He wonders if she senses it.
She senses it and wonders what it is.
Nadia stands in her bathroom
And dabs it on

The scent of Nadia.