The great unwritten novel

They have just released a list of the best books of the century.

My book is not on it. In their defence my book is neither written nor published.

Still I feel a pang of disappointment at an opportunity missed.

We are only twenty years into the century so there is still time.

And being honest I think their list is a little premature.

Although perhaps after this point we are stopping books.

They have heard that on twitter and I have not.

Because I was not on twitter that day or didn’t follow the right literary society.

Perhaps I should be running out and stock piling books right now because not only are there no more to be written there are no more to be printed. It might be about the trees.

It might not, maybe there’s just a government decree.

I look around at all the books I own.

Will this be enough? I look at my unread pile.

It will be enough.

It will certainly be enough.

What is going to happen to all the authors?

Some will be ok, some have made enough to survive but what about ones like me who haven’t churned out their great novel yet?

Or maybe they are going to rationalise?

Perhaps everybody is allowed one novel apiece and this was simply the last list where it was a free for all. Perhaps right now they are allotting single novel slots and I am missing out. I need to follow twitter more closely.

I sit looking at the list of great novels. I am unsure what to do. Unsure who to call or where to turn. What is going on out there? How can I find out? This was the very morning I was going to start my great novel. And now I have no idea what to do.

This might be the end of my writing career. The one I haven’t started yet. I need coffee. I look nervously at my phone. No notifications. Silence. That is probably because my notifications are switched off. Should I switch my notifications on? How do you even do that? I look at the computer screen. I bring up a new word document. There is no way you can make that phrase sexy or interesting. That isn’t just me, its just not possible.

I stare at the screen.

At the blank page.

Mild panic. I don’t know what to do.

I am only certain of one thing.

Today is not the day to start my novel.

I go downstairs and have that coffee, congratulating myself I have not wasted time on writing anything.

What colour are the tears you cry?

What colour are the tears you cry?

Are they rainbow tears
for the people you accepted
Or flecked with dark
for the people you rejected

Do they stain your cheeks
with tracks of blood
Are there dark streaks
Like tracks of mud

Do you even feel it
Do you wince in pain
As I hear you shout
Your hate again

And then one day I see you cry
And the water comes out plain
They don’t hold your memory
You cry the tears of rain

If you’ve never spoken the truth,
you don’t know when you lie
If you never feel the sadness,
you can never really cry

Consequences have actions,
actions never sleep
The run right through your veins
Staying buried deep

You know that death will come for you
Even if you don’t know when
What colour are the tears you cry
What if you live again?

Bent Forward, Nearly Double

Bent forward, nearly double
Her eyes on the ground
As she pushes the trolley along
The pity aimed at her

Is almost palpable

But she doesn’t notice it
She smiles into a pond
None of us can see
It is spread out before her

As she walks

What a life
The things she knows
Things like
You don’t need beauty to get laid

All that over done machismo

About how you should look
All of it ignored
What counts is how you feel
Inside

Moments she has known

The moment that he realised
he didn’t know her anymore
She saw it in his eyes
That self possessed woman

Who was no longer possessed

Raw, primal sex in a park
When she was young and
they were hidden in the dark
Faceless, nameless carnal

Primal

Cigarettes in theatres
Ice creams in the sun
Feet in mile after mile of sand
The joy of a first flight

When flying was new and rare

The first time held in by a seatbelt
Instead of lolling in the back
The first time fingers tapped a keyboard
On a computer with a screen

Swiped a phone

She smiles into the pavement
Their pity is palpable, touchable
But she knows better
Her knowledge is endless

They think the world is moving so fast

But truthfully it spins more slowly than ever
What has it done in her lifetime
Flight, motorways,
Computers, colour television

Phones. And oh, oh the clothes.

Bent over, nearly double,
Brown skirt, brown jacket
Secrets hidden in shades of beige
And gilded, patterned, darned with age

Ah the life she has led,
She smiles into the pond
Hopes their lives are as bright as hers
As she pushes the trolley on.

The Last Carriage

We of the last carriage
Every jerk, slide, push or pull
We, in the last carriage
We get to feel it all

We dawdle down the platform
Frowned on by the guard
Last through the barriers
Searching for our card

Warriors of the feel good
Into work a little late
Stopped for a coffee
Chatted to a mate

We slide into our chair
Around about ten past nine
You should be glad for us to be here
Because we’re not all the time

We probably spent ten minutes
Tizzing up our hair
We look at the computer
As if there’s something there

Then we chip a nail
And leg it for the loos
We probably come back again
Around about ten past two

And then its nearly time to go
Yeh, officially its five
But ten to four is close enough
Work less and stay alive

We have no regard
for your silly stupid rules
The ones that chain you to the desk
They make you look a fool

We had a ticket for the train
At least we did last week
It’s a season ticket
Oh it might have been, I think

There’s a reason we haven’t got it
How it came to be lost
Yeh for the price of the fine
Not bothered by the cost

Here in the end carriage
It’s like a second home
Everyone is someone
And no one is alone

Sometimes its like the train
Is going to jump its tracks
But we all just chill
We just stay relaxed

We look on with scorn
At those early carriage prats
At the man with the fold up scooter
But really –in solid black

An act of half rebellion
can’t make you woke
We in the last carriage
share another joke

The conductors never make it
Last carriage, their place of fear
You should think about joining us
We’d love to have you here

The second song

I could listen to the album
The whole day long
There’s just one problem
I don’t like the second song

Its meant to be soulful and slow
But it doesn’t matter what I do
I just don’t like it
I don’t like the tune

I’ve listened to it often
Again and again
But I don’t know what its doing there
It doesn’t quite fit in

I feel I should write, tweet or comment
But I don’t know what to say
I just want the second song
To go the hell away

But something compels me
To listen every time
Just in case I’ve missed something
That might make it right

He seems to slur the words
I’m not sure what he says
I don’t like the second song
But I like all the rest

I know I should just skip it
I know I simply can
But why did he put it there?
What a stupid man!

It ruins the whole album
It ruins my whole day
I don’t like the second song
And yet, I let it play

It’s time to change jobs

As I lie in bed, I feel my body.
Literally I touch it.
And feel it.

Atrophy.
Petrify.
Modify.

Tree.

I have been in this job too long.
I creep out of bed in the morning, a mess of vines
Veins fading into woodwork.

I stumble to the train
Out of the station to my desk
And then I stupefy.

Horrify.
Edify.
Terrify.

Tree.

I morph into something bigger. A large trunk, some branches. I cover my whole desk. I root myself in the floor. Clasping the carpet with delicate filaments searching for the moisture left by sweaty feet.  Leaves. The computer gets absorbed in. Seen and then unseen. As if nature is claiming me back from all this technology. The lights flicker on the screen inside of me. Flicker again. Flicker out.

I thirst. In the bright sunshine. Through the glass in the window. I thirst. I am a tree. I wait for the water. I never knew how thirsty a tree could be. Not hunger, just thirst. I see people work around me. I grow outward and upward and no one knows what to do. I hear them talking, feel the voices vibrate in my leaves.

And then, then it rains.
I see it splash on the window.
Sweet delicious water. I grow.

Up.
Up.
Up.

Through the ceiling.
Heavier and heavier on that floor.
I drink my fill.

I teeter.
I totter.
Teeter, totter.

And then I crash downward with the weight of it all. I work on the seventh floor. Down I plummet through six floors of masonry. False floor after false ceiling after false floor in a false world. I fall down, down, down and the building crashes around me. I can hear the vibration of people screaming in the rain.

I teeter.
I totter .
I let myself fall sideways.

Onto the pavement.
All over the road.
Then I feel myself again.

Literally, I touch my arms, my legs.
I am no longer a tree.
I sit on the pavement.

I am wearing yellow.
It is sunshine again.
I look around me.

Chaos.
Destruction.
Devastation.

I get up and walk away.
I guess I really needed that.

The Scent of Nadia

He slides into bed beside her
She feigns asleep
She wonders what he is thinking
He’s brushed his teeth.
The minty smell of toothpaste
Does he think that is enough
She inhales, exhales, inhales
There it is.
A waft, a wave, that smell

The scent of Nadia

He lies there.
He wonders if she is actually asleep
She must be asleep
If she were awake
She would smell it
The vision of bodies tangled in the night
Hovers above him
He inhales, exhales, inhales
There it is.
Holding tight to his skin

The scent of Nadia

Nadia sleeps alone
Solid, physical, in a bed far away
Dreamless sleep
The room has no smell that she can sense
She sometimes feels the loneliness
Of his dishonesty
In the morning she gets up
Her head clear
She inhales, exhales, inhales
Moves the bottles around in the bathroom
Cleanser, moisturiser, perfume

The scent of Nadia

They eat breakfast at the same time
At the same table
Each one is alone
Each one showered, shaved, perfumed,
Ready to go out into the world
As they eat, he wonders
Is that a whiff of suspicion
Does she smell a rat?

She does not smell rats
She stares purposefully into her cereal
If cereal has a purpose it is to make breakfast longer
It needs more milk
She quite likes the perfume
Wonders if Nadia likes women,
Inhales, imagines, exhales, swallows, inhales to hide it
Tries to place the smell, Its quite floral, Daisy?

He wonders if she senses it.
She senses it and wonders what it is.
Nadia stands in her bathroom
And dabs it on

The scent of Nadia.

Eaten

He looked at his hand. There was less of it today than there had been yesterday. He had bound the empty skin of one toe to the next one this morning, but his left hand seemed intent on disappearing. He knew what it was. All those metaphors. All those years. It was physically possible it turns out. He laughed quietly to himself as he sat in the lounge. All those doctored photos. What else could explain it.

He sat there without the TV on. In the darkness. Listening. He could hear the neighbours, not easily. Just the odd bump to break his silence. He hated the neighbours. They were from some place else. He wasn’t sure how much else, but some place else. He felt his hand contract as he sat there. Felt it shrink and shrivel as rage coursed through him. They had no right to be there, those neighbours. The people who ought to live there, ought to be from here. He wasn’t sure what that meant.

He couldn’t articulate it but he could feel something gnawing away in his fingertips, eating the ends of them. It was so visceral he looked down as if he might see a rat there chewing the end of his hand. There was no rat but still he could feel it. The erosion of his self as a physical entity.

His rage was all consuming. He sat there listening for more bumps. A car door closing in the driveway across the road. Who were they? They didn’t belong here either. They never spoke to him. He had been certain to ensure that never happened. He had thought about putting something through their letterbox to tell them to go away.

The children two houses down were particularly noisy. Bad parenting. She worked. What could one expect. He went to bed. All night, he could feel it eating at him. His arm. He couldn’t lie on it. It was so uncomfortable. He wondered if he opened his eyes his arm would be completely gone.

He swore he could feel his internal organs shrinking each time he slept. His stomach caving in. He daren’t even walk to the newsagents to get the paper anymore. There were too many people not from around here. Too many people who did not belong here. His face was worn and tired from glaring and leering at women who let their breasts hang out of their clothes. It disgusted him.

He raged in the night and still he could feel it. Travelling around his body, eating wherever and whatever it felt like. He was filled with it, with the injustice of these people filling up his world, there refusal to live by the rules that he set. Did they not know that once he had been an engineer. He woke in the morning, more tired than when he went to bed. He had breakfast, the same breakfast he had eaten for 40 years. He looked at the left arm, the hand hanging off the end.

He know longer knew how to stop it. The hatred was eating him from the inside out.

Things Shakespeare never knew

He is armed.
She is disarming.
It is not a match.
She is not Romeo.
He is not Juliet.

A child cleans her shoes in the kitchen.

Boozy jokes and sweaty hands.
He is nervous. She is numb.
Her skin is stretched over her skull,
high ponytail and the angry makeup of a Scottish queen.
She feels empty inside.
Macbeth, Lady Macbeth, Banquo and friends,
Slump at the bar.

The child bought the shoe polish herself,
Because Mandy said, and Mandy’s shoes are ever so clean.

He is inside of her.
Yes, No, No, Yes.
She cannot remember.
He does not care.
He is Ophelia floating down the river,
Hair unkempt, breath stinking of fermented hops.
She is Hamlet, at the point of death,
Toby or not Toby?
Was that his name?

The child scuffs the polish over the dirt.
Wonders why it doesn’t work.
How do Mandy’s shoes get so clean?

She saw him again.
He was in the same room again.
He did not see her.
Could not see anyone clearly,
Through the drunken haze.
She drinks some more.
He drinks some more.
Iago serves at the bar.
Desdemona and Othello
Are blind drunk,
Stabbing each other in the dark.

The child throws the polish at the door.
It falls open, speckles black on the floor.
Mandy’s house has clean floors
She leaves it there and goes upstairs.

Dad sleeps in the street.
Cleopatra,
The streets are an asp.
Mum sleeps on the couch.
She dreams of a man in uniform who can save her,
Antony.
An endless drunken stupor,
With the TV on and the towels unwashed.
The post is covered in soot this morning.
They don’t have a fire.
So that is not possible.
She wonders why,
Through hazy eyes.

Their child looks at her newly cleaned shoes,
Shedding black spots on mildew carpet.
She is cold, she is hungry.
Mandy with her nice uniform and pretty hair
Will be at school today.

And she is.

Mandy has her hair in pigtails with pretty ribbons.
They twirl and sparkle in the sun.
Suddenly without warning she grabs Mandy’s hair.
Pulls it hard until Mandy begins to cry,
She sees the tears, feels nothing, does not know why.

‘How you begin life,
Should not determine how you end it.’
Someone famous once said.
But he was an old white man,
Long since dead.