If you write a book and no one reads it, did you ever really write it?

If you write a book and no one reads it, did you ever really write it?

The book sat on the library shelf for a good few months after she died. I wasn’t here when the original events happened, only when the end came. I had thought to put the book in the coffin but then events intervened.

Lynette was always a little odd, but only a little, not so wildly odd that you needed to worry. I managed her in the last few years she worked here at the library. Lynette wore the same plaid skirt, same olive cardigan and green shirt almost everyday. She had the same box haircut all the time I knew her. All that ever changed was the little pin she used to keep her hair off her face. Sometimes it had a tiny enamel flower on it, sometimes a little cat, sometimes a strawberry or a heart.

Truthfully I should have made her redundant when we got computers but she was compliant, easy to manage. She had the neatest handwriting and she seemed to just be part of the library. Even if I’d have made her redundant she’d still have been here every day.

The story goes that there had been an academic here, a man. Married apparently. He used to come into the library. He was always friendly to Lynette. It was no secret she was infatuated. It wasn’t returned.

There were, apparently, a lot of girls. He had his favourites, one of whom was Jeanette. They flirted a lot, in the library. He would lean in close and she would smile up at him. There were rumours. His wife was a harridan-aren’t they always though? Jeanette was by all accounts young and attractive and now I have seen a photo of her I can see that they looked good together. Too bad for the wife.

Lynette and Jeanette were friends despite Lynette’s feelings for the man. We’ll never know what really happened. They simply disappeared one day-Jeanette and this man. Just sort of ran away together. No one was surprised. Jeanette had a cousin who thought it was out of character but no one bothered with it much. The wife pressed the police but who believes a scorned wife.

There was a lot of gossip but not much else. Lynette never mentioned it.

In any event a few months afterwards, the book turned up. In the library. On the shelf. Catalogued and all. No one thought anything of it. It was his last work before he left and ran away, a hardback version, properly bound. It was the only copy we had but we assumed somehow that there were other copies out there.

We should have offered it to his wife, but I wasn’t here then and that didn’t happen. So it sat there and the only person who ever took any notice of it was Lynette. She would take it off the shelf occasionally and look at. Just look at the cover. I once told her she should read it and that’s when it became a kind of joke-if no one reads it has it ever been written. We didn’t do it intentionally but we just kind of made sure that we didn’t ever direct anybody to the book and it just sat there. There was no title printed on the spine and everyone overlooked it.

Then Lynette died. Quite suddenly. And I thought of the book and how it had made us laugh. I thought it would be a nice gesture to place it in her coffin. She had seemed attached to it, a memory of an unrequited love. She had few friends and no family. So I took the book off the shelf.

I sat down to thumb through the pages. It occurred to me after all this time I had no idea what it was even about.

I opened it. And there, where the pages had been cut out neatly to shape a space was a pair of hands bound together, severed off at the wrists and perfectly preserved and a note, in the neatest handwriting.

‘Romance is dead.’

Come the apocalypse, we’ll eat the cat

My mother always said ‘Come the apocalypse, we’ll eat the cat.’

None of us took it too seriously. And then the apocalypse came.

It was more civilised than you think. It was announced on the BBC. The second the announcement was finished, she went looking for the cat. I think we all felt it was a bit too soon. I remember my Dad sitting at the dining table, pushing the meat around his plate with a fork. It felt a bit unseemly, as if there should have been a bit of a notice period. Time to say goodbye.

There wasn’t.

It was in the pot and on our plates before most looters even got out of bed. Here’s a tip, early evening apocalypses are best. People don’t believe it, go to bed, don’t wake up. We did wake up, minus the cat.

That first day my Mum visited the neighbours to see if they were ok. They were elderly. She came back laden with cans. We thought that generous at the time. There was meat for dinner again.

‘You know this street is full of elderly neighbours,’ she commented a week later. Followed by ‘enough meat to keep us through the winter.’

I commented that not all old people had cats. She looked at me blankly. I pushed the meat around my plate. I had not seen the neighbours since it happened. I don’t remember our cat being that big.

Since the collapse of civilisation as we know it, there are far fewer people around. We however seemed to have thrived with an inexhaustive supply of fresh meat.

Being honest living through the apocalypse has been lonely. There’s been the kind of atmosphere you’d expect at the apocalypse. A little doom laden, a lot of darkness. Not much water. We’ve coped. Mostly we stayed indoors, with the lights off. We’ve been out raiding other peoples houses, but we rarely see anyone.

We got through the winter with fresh meat. A lot of cats I told myself. We planted vegetables in the autumn. My mother had seeds. She was nothing if not prepared. It’s like she’d been waiting for years.

I can’t remember when Dad disappeared. Now when I look out in the garden though I wonder. There is a particularly fertile patch of soil. I’m sure she didn’t. He just wandered off like she said. Still we had fresh meat.

I think the apocalypse made my Mum happy, proved to her that all that tough parenting she’d put me through was worth it. She was never happier than after it happened. She was hardy and strong my mother. Focussed and determined.

She taught me everything I know.

She cooked well.

She tasted good.

And endless bloody hope…

When you look at the stars
What do you see
Do you wake up every morning
And think of the sea

I’ve read all the words
Everything you wrote
About spirit and happiness
And endless bloody hope

I look at my life
And I don’t see you
I look at my words
And you’re not there too

Do you do the ironing
Or do you find it mystifying
Do you wash up every night
Because you know that is stupefying

Do you know what it takes
To write silly little words
When the to-do list is long
And you’re not being heard

How many loads of washing
Did you do this week
Or did you sit in the garden
In solace and peace

Because I could write
Write like you I think
If I just had the space
And the time to blink

It wouldn’t always rhyme
Like this one does
I’d make it all spiritual
Maybe mention love

When I see the stars
I often think of you
When I see the sea
I remember I had dreams too

But the dreams have all faded
And fallen from this world
I never got the chance you had
Because I was born a girl.

The screw

Long red fingernails slide over long held convictions
Flicking remorse and regret across the bed and out the door

Do you know what you’re doing here?

Do you think its desire?

In a game of he said, she said,
he said always wins.

Do you know what you’re doing here?

Do you think it’s a game?

Truth is a scar you can never erase
It throbs in a darkness.

You can never escape.

Do you know what you’re doing here?

Do you think it’s a sin?

Sanctimonious conviction is a dark red welt on your back
Words you said under pressure.

You can never retract.

Crass comments in public, they shame you
You hide from the light, like an-

Emu?

Your head in the sand, you think you are grand
But you know you’re not right, secrets don’t hide.

Even at night.

Do you know what you’re doing here?

Do you think about power?

The things you held onto out in the dark
Were nebulous and cold and forever apart.

You put on a suit and a tie
But you are no more than the sum of your lie

Do you know what you’re doing here?

You never owned the minds even as you played with the bodies

You can hold it forever until you are dead
But desire and power were all in your head

Yours was a moment paid for with cash
Gone in an instant, no more than a flash

Do you know what you’re doing here?

They thought different thoughts to what you think that they thought.

And now in your coffin, you’re all cold and all still
They go on singing, they dance and they laugh
While deep underground the worms eat their fill.

Do you know what you did here?

Dandelions

When we were growing up,
My Dad had a lot of rules
My favourite one was:

No pyjamas in the green house

On Thursdays, always Thursdays
he would get the lawn mower out
And take it for a walk.

He didn’t like the dog

He didn’t like to hurt the grass
He was thoughtful about the grass
And the dandelions

He always thought dandelions felt pain

My mother on the other hand
Was quite-people said ‘odd’
Never bought us rain coats or umbrellas

She thought of rain as a test for your eyebrows.

She wore a lot of yellow.
She said that was because
deep down inside somewhere,

She was a dandelion

And dad wouldn’t hurt the dandelions
It didn’t save her, of course
Or us, from him

I wear my pyjamas everywhere now

They are silk, expensive
I have them in every shade
except yellow

Because wearing yellow won’t save you.

Some days I come home soaking wet
Because I don’t own an umbrella or a rain coat
My eyebrows don’t work the way they should

Even now. Now.

The lawn mower sits in the shed
The dog is long since dead
The grass grows high
The dandelions die.
I visit her grave, his is far away, I never go
There are things children should never have to know.

I was never quite the same

I have come to tell a story
I have come to say your name
I want to tell the truth of it
I was never quite the same

They said that no one saw it
That you weren’t really hurt
But I saw your body falling
And I know you hit the dirt

I heard the endless sirens
As I was called inside
The soothing words of adults
People never really die

I saw you standing on the roof
Dark against the blue
I saw you jump off of it
I saw you falling too

I never saw you land
The fence was in the way
But I heard the men all calling
I remember plain as day

My mother said I never
I surely never did
But I know I watched you falling
When I was just a kid

I wanted just to sit here
Quiet by your grave
To say that I was sorry
To the man I couldn’t save

Its true I didn’t see it
Your body hit the ground
But I saw your body falling
And I never made a sound

I didn’t run inside
I didn’t raise the alarm
In those precious early moments
I stood there quite calm

Maybe no one would have believed me
No matter what I said
But in those precious early moments
Maybe you weren’t dead

I may have been a child
And absolved of all the blame
But I wanted you to hear it
I was never quite the same.

The train

One bald man gets out of his seat
So another bald man can sit down.
They don’t speak to each other.
They don’t know each other.
The do know each other.
Its like a dance.

Every day.

That is his seat,
that is the other ones seat.
They wear similar suits in dark blue.
With a light blue shirt
And a medium blue tie and brown shoes.

I plunge myself into my seat, melting.

And what was he doing there anyway?
Half naked.
In a stripped down phone booth.
Leering at every woman,
As if each one should be grateful.
With his 90s hair.

Today of all days.
They are not grateful.
They just hurry past.
He leans on a strut that once held a pane of glass.
His best days are behind him.
His best days are behind the booth.

There is no air conditioning on this train.

He is playing a childs game
On ear phones that don’t work.
Colourful little animals jump small bridges.
Everyone can hear the arcade tinkle.
He does it deliberately.
Plays it loud.

Most days.

Plunging thumbs,
into a control panel.
It annoys everybody.
It’s a protest.
You are not allowed to watch porn on the train.

All around me the world of trains and men, I feel like a freak.

He holds his head high.
The wi-fi was a little slow this morning.
The trainers are glossy.
He really smashed that avocado
Into the whole grain toast.
A sheep in wolves clothing.

A bit yesterday.

With that beard.
More a toad resplendent in cloth.
Still a toad.
He catches himself in the window.
Looking good, looking good for a toad.

Still after all this time, I don’t belong on this train.

Stage Fright

Inside my head.
The ideas form in bubbles.
The bubbles burst,
Before I can get the words out.

I try and find some quiet.

Inside my head!
Some way of making the bubbles,
travel more slowly across the sky.
Some way of articulating what each circle holds.

But instead there is only silence.

Inside my head?
They are all looking at me now.
Sniggering. Laughing.
Wondering why my mouth is open but.

The noise is not coming out.

I hear it. A voice.
I know it is my voice.
I know the voice is my voice.
I know the words are coming out of my mouth.

I can hear it inside of me, but it is disconnected.

I hear it. A voice!
I am reading the words on the page.
Without understanding them.
The person, the person that is me.

Is standing there reading the words.

I hear it. A voice?
Still in my head, the bubbles keep coming,
fizzing out and then bursting like starlight.
I try and see the audience but.

The bubbles obscure everything.

The bubbles obscure e-v-e-r-ything.
I can hear myself still speaking.
I can feel my mouth moving.
Then applause. Applause.

It is done. But what is done?

The bubbles obscure everything!
I don’t remember any of it.
Just the bubbles.
The bubbles. The bubbles.

Bursting, across the sky in front of my eyes.

Obscuring everything?
My mouth smiles.
But it is not my smile.
I leave the stage.

I finally let me go

At fifty,
I tried to hold life still,
I found I couldn’t.
I couldn’t hold the line,
For a tiny moment longer.
It took too much to linger.

I let it go.

He was out in the garden.
I was eating lunch,
I packed a suitcase.
I dutifully made the dinner,
For Sunday and Monday night.
Left the key on the table.

And strolled out of my life.

I wandered across this earth.
Slept in odd places,
Lived out of my suitcase.
Severed all the lines,
Sailed out across the sea.
Played a thousand stories.

But none of them was me.

And then one day I wandered past.
A house that I had known,
I knocked on the door.
And the owners let me in,
It had been a life time I know.
Yet I wandered through that house.

In someone else’s clothes.

Another time and place.
Someone else’s story,
And someone else’s face.
I sat out in their garden,
I smelled the summer air.
All around me was familiar.

But was I ever really there.

I’m not sure if I existed.
I’ll never really know,
My feet are sore.
My heart is tired,
But all lined up in a row.
A thousand thoughts and feeling.

I finally let me go.

Portrait of a town: After School

There’s a new child at school. She heard it on the grape vine. That can only mean trouble. There will be a parent, most likely a woman. That can’t be good.

She stands, there absorbed in the conversation, lightly touching an arm when required. Enthusiastic. Laughter. ‘We must do coffee.’ She says it knowing the listener will be honoured at such an invite.

She spots the child before she spots the parent. Seeing the parent is positively shocking. It always is. Nothing can prepare you. She takes in the clothes (autumnal colours), the hair (average colour), the total lack of makeup! On a Tuesday too. She watches the woman collect her child, look around her for a face that might smile, someone that might catch her attention.

This is the danger moment. She knows that. That point in which it can all unravel. It will be Charlotte’s fault. Charlotte likes strangers, she can easily be drawn into a conversation with that woman. And then bang! Things will change. She will seep into the friendship group. They won’t be this tight knit circle. She will have to admit someone new. Uh Uh.

She looks at the woman hoping it is her eye that is caught. Because she will give her daggers. These are my friends and you can’t have them, not a smile, not a word. They are mine and this is my world. And you are intruding and don’t think you can change anything because you can’t. She wants to pierce her heart. You can do that with newbies.

She can see that other frump magnet standing off to the left. The frump magnet has been here a whole 12 months and whilst her children have made friends she absolutely has made sure that frump magnet never has. She can taste that victory, see the forlorn look in that woman’s eyes everyday when she comes to pick up her child. It makes her smile inwardly. The outward smile is perfect. The inward more twisted. She does not let on.

This is her playground. She was always popular at school. The pretty girl with the swinging hair. And now she is popular in the playground and no saggy boobed badly dressed newbie is going to ruin it. The new woman was thin she had to admit that, and those breasts may have been real. But wait –her teeth, oh dear god, unwhitened teeth. There should be regulations. She hoped her child never made friends. Her child never did. She was loyal like that.

She made a note to look out for what kind of car she drove. She suspected, horrified- that it may not be a 4 wheel drive. There was no way this woman could ever join her friendship group. Ever. She watches Charlotte closely. Charlotte had invited the previous newbie child to her daughters party. She’d even engaged that frump magnet woman in conversation on the door step.

There had been nothing else for it, she’d had to stage an intervention. Made it look like the newbie child had deliberately spilled something on Charlotte’s carpet. The frump magnet and her daughter were never invited back. To any party. Ever. It had been a close call. The child had cried, said it was not her fault. She had to insist she had seen it deliberately done. The child had simply poured the red cordial onto the white carpet. When in fact she had to twist the child’s hand to pour it out.

It was a horror story. She had very nearly been caught by Amber. Amber was her best friend but she wasn’t always sure that Amber lied on her behalf in a way that indicated the commitment required from a best friend. Amber’s husband was not as attractive as her husband but Amber’s husband found her attractive. Wasn’t that the key to a best friend? She doubted that her husband found Amber attractive. Although she did note how they sometimes seemed to laugh together. She must talk to Amber about that. It was important Amber understood who was more attractive.

She swished her hair. Flashed her teeth. Glad she was wearing heels because that very tall thin woman with a daughter in the year above was here again. She hated her. They all hated her. Even more than the newbies, they all hated her. She was so nice as well. She always smiled and said hello. But there was unanimous agreement she could never be part of the group. Ever.

Her husband doesn’t understand. He thinks her obsession with women in the playground is childish. But his fashion sense has failed since they had children. He wears a lot of beige and brown. She isn’t sure how much longer she can be married to someone who wears brown. The whole house is white and charcoal, which is a problem because white and grey are this seasons colours.

Charlotte. She is watching Charlotte and the newbie just in case. Charlotte still has a beige bathroom, which is at least 5 years old. It might be time to find a way of getting Charlotte out of the group. Charlotte is a risk. She doesn’t follow trends. She hasn’t read the latest magazine and she suspects Charlotte might visit a unisex hairdresser.

She smiles, she talks. She simpers. She smirks. She thinks about strategy. She looks at Charlotte, is that camel she is wearing? So last season. And leopard print when snake is in?

She watches her own child run towards her and is struck by how much prettier her little girl is compared to everybody elses. Thank goodness, she can’t imagine what it would be like to have an ugly child.